@article{oai:hosen.repo.nii.ac.jp:00000222,
 author = {葛西  , 健治 and KASAI,, Kenji},
 issue = {2},
 journal = {こども教育宝仙大学紀要, Bulletin of Hosen College of Childfood Education},
 month = {Mar},
 note = {Yoshinao Nakada (composer) and Jun’ichi Kobayashi (poet) are editors of GENDAI KODOMONO-UTA MEIKYOKU  ZENSHU (Masterpieces of Japanese Contemporary Children Song) (2nd Edition). They put 11 pieces of collaborative works  in the album. The 9 pieces of those include onomatopoeia in a text. I analyzed all of them, and found the following characters  about their way of expression of onomatopoeia :  1)  Plural poetry includes the onomatopoeia in a title.  2)  Plural poetry completes the last of the stanza clause in onomatopoeia.  3)  Dynamics marks (of music) emphasize onomatopoeia.  4)  The most high-pitched tone of the melody is set on onomatopoeia.  5)  Articulation (staccato in particular) is added to onomatopoeia.  6)  Onomatopoeia serve a function of an image of the whole music.},
 pages = {29--37},
 title = {『現代こどものうた名曲全集』（二訂）における 中田喜直・小林純一の共作 ─オノマトペの表現に着目して─},
 volume = {9},
 year = {2018},
 yomi = {カサイ, ケンジ}
}