{"created":"2025-03-10T01:03:37.800740+00:00","id":2000017,"links":{},"metadata":{"_buckets":{"deposit":"283e7189-952e-43b0-a63d-4457d0aa3145"},"_deposit":{"created_by":18,"id":"2000017","owner":"18","owners":[18],"pid":{"revision_id":0,"type":"depid","value":"2000017"},"status":"published"},"_oai":{"id":"oai:hosen.repo.nii.ac.jp:02000017","sets":["81:1710721873321"]},"author_link":[],"control_number":"2000017","item_10002_biblio_info_7":{"attribute_name":"bibliographic_information","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2025-03-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"40","bibliographicPageStart":"23","bibliographicVolumeNumber":"16","bibliographic_titles":[{"bibliographic_title":"こども教育宝仙大学紀要","bibliographic_titleLang":"ja"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Of the 50 songs that Nakada (composer) and Kobayashi (poet) wrote together for the NHK radio program\n“ASOBIMASHŌ,” 22 were performed again on the program. These can be regarded as works that were\nhighly valued by them, or works that were well received by listeners after their first broadcast.\n　　In this paper, I focused on these re-performed songs and analyzed them, focusing mainly on\nonomatopoeia. As a result, it became clear that the three musical features ( 1) Dynamics marks emphasize\nonomatopoeia. 2) The most high-pitched tone of the melody is set on onomatopoeia. 3) Articulation (staccato\nand accent in particular) is added to onomatopoeia.) of Nakada and Kobayashi’s works that I found in my\nprevious research were consistent with the results of this analysis.\n　　One of the new features I found in the re-performed songs is the extensive use of a writing style that\nimitates “WARABEUTA (Japanese children’s (folk) song),” a traditional Japanese musical scale. Although their\ncollaborative works with the WARABEUTA style of writing were relatively popular and accepted by\nlisteners at the time of the broadcast, they are rarely sung today (although the original WARABEUTA is still\nwidely used in contemporary Japanese childcare settings). This is instructive in considering the transition in\nthe acceptance of children’s songs in Japan from the postwar period to the present.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"こども教育宝仙大学","subitem_publisher_language":"ja"}]},"item_10002_source_id_11":{"attribute_name":"item_10002_source_id_11","attribute_value_mlt":[{"subitem_source_identifier":"AA12482593","subitem_source_identifier_type":"NCID"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"葛西,健治","creatorNameLang":"ja","creatorNameType":"Personal"},{"creatorName":"KASAI, Kenji","creatorNameLang":"en","creatorNameType":"Personal"}],"creatorType":"※","nameIdentifiers":[{"nameIdentifier":"30713630","nameIdentifierScheme":"e-Rad_Researcher","nameIdentifierURI":"https://kaken.nii.ac.jp/ja/search/?qm=30713630"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2025-03-10"}],"displaytype":"simple","filename":"1503kiyou_kasai.pdf","filesize":[{"value":"1.9 MB"}],"format":"application/pdf","mimetype":"application/pdf","url":{"url":"https://hosen.repo.nii.ac.jp/record/2000017/files/1503kiyou_kasai.pdf"},"version_id":"569681f8-1efa-4cc6-9a0f-557f94aced13"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"子どもの歌","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"中田喜直","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"小林純一","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"オノマトペ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"楽曲分析","subitem_subject_language":"ja","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"item_resource_type","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"NHK ラジオ番組『幼児の時間』「リズム遊び」（あそびましょう） における中田喜直・小林純一の共作（2） ─ オノマトペを軸とした楽曲分析を中心に ─","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"NHK ラジオ番組『幼児の時間』「リズム遊び」（あそびましょう） における中田喜直・小林純一の共作（2） ─ オノマトペを軸とした楽曲分析を中心に ─","subitem_title_language":"ja"}]},"item_type_id":"10002","owner":"18","path":["1710721873321"],"pubdate":{"attribute_name":"公開日","attribute_value":"2025-03-10"},"publish_date":"2025-03-10","publish_status":"0","recid":"2000017","relation_version_is_last":true,"title":["NHK ラジオ番組『幼児の時間』「リズム遊び」（あそびましょう） における中田喜直・小林純一の共作（2） ─ オノマトペを軸とした楽曲分析を中心に ─"],"weko_creator_id":"18","weko_shared_id":-1},"updated":"2025-03-10T05:16:38.777669+00:00"}