@article{oai:hosen.repo.nii.ac.jp:00000151,
 author = {捧, 公志朗},
 journal = {こども教育宝仙大学紀要},
 month = {Mar},
 note = {I made the place itself objectify as a work in work research centering on the installation art by the participation to the “place” on which self is put, and its act nature, and I have asked for the possibility of the creative space shared with an audience being made. Installation space is space equipment for an audience to perceive the “place”, and it seems that I have the interior space and abstracting a “boundary” by it as the feature. In the installation art produced of approach at the “place” as people's ecology environment, what deployment method is searched for in order to achieve polarization and to make a site-specific art more? While regarding the work research which the writer has tackled from 1991 to 2011, as a precedence practice example by this paper towards such a subject and summarizing the topics, I conducted change of the “place” which happens by work of the installation art, and analysis of the problem of an audience’s consciousness experience in work space. I thought that I would like to consider the possibility of the installation art to the “place” through this work.},
 pages = {17--27},
 title = {「場所」に対するアート・アプローチとしてのインスタレーションの可能性 ─制作方法「putting」による作品展開の試みとその考察─},
 volume = {5},
 year = {2014},
 yomi = {ササゲ, コウシロウ}
}