{"created":"2023-06-19T08:27:00.637352+00:00","id":106,"links":{},"metadata":{"_buckets":{"deposit":"2d2cac3f-0cf5-49d1-93d0-65a14297aebd"},"_deposit":{"created_by":17,"id":"106","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"106"},"status":"published"},"_oai":{"id":"oai:hosen.repo.nii.ac.jp:00000106","sets":["81:83"]},"author_link":["353","352"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03-16","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"96","bibliographicPageStart":"87","bibliographicVolumeNumber":"2","bibliographic_titles":[{"bibliographic_title":"こども教育宝仙大学紀要"},{"bibliographic_title":"Bulletin of Hosen College of Childhood Education","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This notes are concerned with musical performance in what is known as the \" Galant Style \". In order to show how the performing style of this period evolved, and to show the impact of J. J. Quantz, F. W. Marpurg, D. G. Türk, and F.J. Haydn of forgotten period on later generations of musicians, I have had to describe the function of Italian tempo directions (Allegro, Andante, Largo, etc.).This notes attempts to describe some of the rules and conventions which governed musical performance in the times of Galant. The rules mentioned in this notes should be checked by every modern performer.","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"こども教育宝仙大学"}]},"item_10002_relation_12":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"110008426902","subitem_relation_type_select":"NAID"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12482593","subitem_source_identifier_type":"NCID"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"青木,  靖子"},{"creatorName":"アオキ, ヤスコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"352","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Aoki, Yasuko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"353","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2014-05-13"}],"displaytype":"detail","filename":"kiyou0208.pdf","filesize":[{"value":"930.7 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kiyou0208","url":"https://hosen.repo.nii.ac.jp/record/106/files/kiyou0208.pdf"},"version_id":"da57e8ff-f7bf-4bde-bde3-709efc3a31b6"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"Tempo_direction","subitem_subject_scheme":"Other"},{"subitem_subject":"J._S._Bach","subitem_subject_scheme":"Other"},{"subitem_subject":"F._Rothschild","subitem_subject_scheme":"Other"},{"subitem_subject":"F._J._Haydn","subitem_subject_scheme":"Other"},{"subitem_subject":"Tempo_direction","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"J.S.Bach","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"F.Rothschild","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"F.J.Haydn","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"音楽演奏における速度の変遷 -ギャラント期におけるイタリア語の速度標語の役割-","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"音楽演奏における速度の変遷 -ギャラント期におけるイタリア語の速度標語の役割-"},{"subitem_title":"The Change of Tempo in Musical Performance:The Function of Italian Tempo Directions in the Galant Style","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"17","path":["83"],"pubdate":{"attribute_name":"公開日","attribute_value":"2014-05-13"},"publish_date":"2014-05-13","publish_status":"0","recid":"106","relation_version_is_last":true,"title":["音楽演奏における速度の変遷 -ギャラント期におけるイタリア語の速度標語の役割-"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-19T08:34:29.709694+00:00"}